根据夸梅·翁瓦奇（Kwame Onwuachi）的回忆录改编，该故事讲述了他非凡的人生旅程：从在布朗克斯（Bronx）由单身母亲抚养长大的童年，到26岁时在华盛顿特区（Washington D.C.）开了一家高级餐厅。

Based on Kwame Onwuachi's memoir which tells his unprecedented journey from childhood in the Bronx with a mostly single mother to opening a fine-dining restaurant in Washington D.C. at the age of 26.

Trumpet player Roy Allen starts anew as a music teacher in a school full of kids with little exposure to music. Roy connects with a talented virtuoso in need of a father figure. Through the journey of launching a school band and learning to reach kids on their own terms, Nate reconnects with his own estranged son, becoming the father he always wanted to be.

Adapted from Dostoevsky's novella, Henry Czerny plays the narrator, Underground Man. Filled with self-hatred, he keeps a video diary where he discusses his own shortcomings and what he thinks is wrong in contemporary society. His bitterness spills over at a dinner party attended by his old college friends, an occasion which sends him running to a nearby brothel, where he meets Liza (Lee), a young prostitute.

This feature-length documentary about Professor Jože Dolmark shows the protagonist as a man of many insights, interests and talents; as an art historian, an authority on literature and the history of cinema and photography, a film critic, cineaste, screenwriter, actor, and above all an extraordinary teacher and professor, and in a new light: intimately, through anecdotes and his world view, as befits a man of his greatness. Jože Dolmark is a brilliant intellectual, an eloquent speaker, and an astute observer of Slovenian culture, cinema, and life at large.

A lonely salesman stumbles upon a stray cat and opens the door to his house… and heart.

Notes from the Underbelly is an American sitcom that debuted on ABC as a midseason replacement. The series is based upon the novel of the same name by Risa Green, and is produced by Eric and Kim Tannenbaum for Warner Bros. Television. The title is a parody of Dostoevsky's novel Notes from Underground.Originally, it was supposed to debut on October 5, 2006, along with Big Day, but ABC made a last-minute change in its schedule by moving Ugly Betty to Thursday, thus replacing both sitcoms. After numerous scheduling changes prior to the shows premiere, the show premiered Thursday, April 12, 2007 at 10:00PM Eastern/9:00PM Central, and moved to its regular Wednesday timeslot at 8:30PM Eastern/7:30PM Central on April 18.Notes from the Underbelly began its second season on November 26, 2007 in the new timeslot of 9:30PM Eastern/8:30PM Central on Mondays, leading out of fall's second highest rated freshman sitcom, Samantha Who?.On May 13, 2008, ABC opted not to renew the series for a third season.In Russia, all 23 episodes of the series were shown on NTV.

Notes from the Underbelly is an American sitcom that debuted on ABC as a midseason replacement. The series is based upon the novel of the same name by Risa Green, and is produced by Eric and Kim Tannenbaum for Warner Bros. Television. The title is a parody of Dostoevsky's novel Notes from Underground.Originally, it was supposed to debut on October 5, 2006, along with Big Day, but ABC made a last-minute change in its schedule by moving Ugly Betty to Thursday, thus replacing both sitcoms. After numerous scheduling changes prior to the shows premiere, the show premiered Thursday, April 12, 2007 at 10:00PM Eastern/9:00PM Central, and moved to its regular Wednesday timeslot at 8:30PM Eastern/7:30PM Central on April 18.Notes from the Underbelly began its second season on November 26, 2007 in the new timeslot of 9:30PM Eastern/8:30PM Central on Mondays, leading out of fall's second highest rated freshman sitcom, Samantha Who?.On May 13, 2008, ABC opted not to renew the series for a third season.In Russia, all 23 episodes of the series were shown on NTV.

Airports, detention centres, sea containers. Slow, roaming shots linger on places of passage and confinement, where movement is measured and controlled. Fragments of stories, words passed from one person to another. Encounters along the way reveal different ways of seeing, different ways of understanding. 　　Voices emerge, sharing stories from those held inside Brook House, a large immigration centre on London’s outskirts. Through shifting perspectives, the film examines migration, control, and the space between perception and reality.

A murderer is using every possible trick in his efforts to escape from justice. He is extremely crafty in his ways of infiltrating the government. He becomes a politician with growing status and influence and an official immunity from prosecution.